Every now and then a film I watch a film that leaves me completely astounded, and occasionally even restores my faith in Cinema. A Bittersweet Life is one of these films, it isn't particularly original as it is made up of elements that will be familiar to most film buffs, it has no monumental performances from it's cast, and makes no major technical breakthroughs. And yet it has something that is not often seen in recent films, it has a deliberate sense of self, an identity that I find lacking in many similar films these days, and more importantly, it has a soul.
This may sound silly, but that is what makes all the difference between this film and the many other vapid and dull "gangster" films released each year.
Perhaps this is because it is a Korean film (original title: Dalkomhan insaeng), and the Korean film industry is a relatively new one that seems to be at the height of it's powers at the moment, producing one great film after another and completely outdoing Hollywood in one of their own staple genres, the Thriller, in particularly the investigative thriller (police vs psychos).
A Bittersweet life isn't really a detective thriller, I'd say if it had to be put into a genre, it would be a gangster film.
