Irish Film Marathon: Part 4

I should have had this review up ages ago, but due to some technical problems with my PC and because I've been busier than usual, I didn't get the chance to write it up. Also it will be a bit shorter than the others.

The film which garnered the poorest reviews out of all the films chosen for thsi marathon would be Alan Parker's adaptation of Frank McCourt's classic biographical novel, Angela's Ashes.

I have vague memories of the book, which I read at a very young age, but I do remember enjoying it and some particular passages have stayed in my mind ever since.
But unfortunately critics and audiences alike seem to have thought it the adaptation failed to capture the greatness of the book. It received poor reviews, and flopped.

End Of The Week Post

 A slight improvement on the last week's viewing, but still not as many films as I would have liked:

The Great Silence 1968 directed by Sergio Curbucci
7/10

I don't believe I've ever seen a film try so persistently to subvert and deconstruct a genre than The Great Silence does.
It takes so many familiar elements of the genre and spins them completely on themselves, we have the very setting itself which is typically dry, dusty and hot transformed into a snowy wasteland, the bandits are portrayed as sympathetic and the bounty hunters as villainous, the classic "six shooter" of the hero is traded out for a automatic Mauser and the end is entirely unexpected and a complete reversal of what you may have come to expect from a Western.
It's a poorly made film, with awful dubbing, but it is saved by the sheer originality of it all, and of course by Kinski's and Trintignant's performances, as the rest of the cast are terrible. It's a fun film all around, not a masterpiece but as far as non-Leone Spaghetti Westerns go, this one was good.

Irish Film Marathon: Part 3

In my previous review, I compared Michael Collins to The Wind That Shakes The Barley and it didn't come out very favourably, but the truth is it is far from being a bad film. In fact it's a very good one that is extremely close to being great.

Michael Collins is directed by Neil Jordan, which may come as some surprise to those used to seeing his name on films such as The Crying Game and others, but Jordan clearly shows his versatility here as he directs a big Hollywood blockbuster with some of the biggest stars of the time.
It was released in 1996 to largely positive reviews and became the highest grossing film in Ireland, to be beaten only by Titanic sever years later.
However it failed to gain the success it aimed for, as it grossed only 16 million worldwide on a budget of 28 million and positive but not exceptional reviews (77% on RT.)

Irish Film Marathon Part 2

The Wind That Shakes The Barley is a 2006 film directed by English director Ken Loach.
It is the most successful independently financed film made in Ireland, with a budget of around 6 million. It was a resounding success and a triumph for independent filmmaking. It won the prestigious Pal D'Or by a unanimous vote. I personally think it was a most deserving winner as it is certainly one of the finest films of the decade.

The Wind That Shakes The Barley is widely held to be a masterpiece of independent Cinema and of Irish Cinema in particular.
It shares many themes and similarities with an earlier Irish films, Michael Collins, a big budget biopic of one of the most important men of the times.
However in my opinion this film is superior, despite the obvious differences in budget size. But more on that later.

Irish Film Marathon Part 1

For this first part I will be reviewing The Commitments, a film made in 1991, directed by Alan Parker and adapted from a novel by one of Ireland's most successful authors, Roddy Doyle.
The Commitments is one of Ireland's most beloved films frequently topping lists of best Irish films, but it is also highly praised by international audiences and critics alike as it is an extremely likeable film.

It is not exactly what you may have in mind when thinking of a "great" film. It has no ground breaking technical attributes, no award winning performances, no important message and no sensational or particularly thrilling events. And yet I would not hesitate to call it a great film.
Perhaps due to it's sheer likeability, the way it takes a group of very realistic yet at the same time larger than life characters many or even most of whom are very unlikeable and makes such a charming and enjoyable film.

Announcing: Irish Films Marathon!

As I've mentioned previously, I recently moved with my family from France to Ireland (which explains my lengthy blogging hiatus). I thought it would be a nice idea to mark my return with a short series of reviews of Irish films.

As Irish Cinema is far from being prolific, and in fact has been marked by long periods of inactivity such as the 40's when only two films were made, and they have only provided Cinema with a handful of celebrated directors such as Jim Sheridan and Neil Jordan, it was not a particularly tough task to choose which films to write about. But I'll write more on the industry as a whole later on.

I've chosen a rather varied bunch, some comedies, an animation, some big budget Hollywood funded films some small independently made. Some directed by Irishmen some by English.
But one thing they all have in common is the fact that they all rank amongst the most famous Irish films.
I could have gone with more obscure films but I feel that for a small marathon such as this I would do better to focus on the bigger works. Of course this also makes it easier for me to write as I have already seen many of these previously.
But this does not mean that I won't be reviewing more obscure Irish films at a later date, I certainly have a few in mind already.